Like a Ship upon the Sea (Artful Devotion)

Navecilla by Paulo Medina
Paulo Medina (Mexican, 1964–), Navecilla, 2007. Acrylic on canvas, 100 × 80 cm.

Some went down to the sea in ships,
doing business on the great waters;
they saw the deeds of the Lord,
his wondrous works in the deep.
For he commanded and raised the stormy wind,
which lifted up the waves of the sea.
They mounted up to heaven; they went down to the depths;
their courage melted away in their evil plight;
they reeled and staggered like drunken men
and were at their wits’ end.
Then they cried to the Lord in their trouble,
and he delivered them from their distress.
He made the storm be still,
and the waves of the sea were hushed.
Then they were glad that the waters were quiet,
and he brought them to their desired haven.
Let them thank the Lord for his steadfast love,
for his wondrous works to the children of man!

—Psalm 107:23–31, describing one of four groups of exiled Judahites whom God rescued in their distress

On that day, when evening had come, [Jesus] said to [his disciples], “Let us go across to the other side.” And leaving the crowd, they took him with them in the boat, just as he was. And other boats were with him. And a great windstorm arose, and the waves were breaking into the boat, so that the boat was already filling. But he was in the stern, asleep on the cushion. And they woke him and said to him, “Teacher, do you not care that we are perishing?” And he awoke and rebuked the wind and said to the sea, “Peace! Be still!” And the wind ceased, and there was a great calm. He said to them, “Why are you so afraid? Have you still no faith?” And they were filled with great fear and said to one another, “Who then is this, that even the wind and the sea obey him?”

—Mark 5:35–41

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SONG: “Stand by Me” | Words and music by Charles A. Tindley, 1905 | Performed by Seth Avett, 2013 | United Methodist Hymnal #512

Read the history of this hymn by “one of the founding fathers of African American gospel music” at Discipleship Ministries, and listen to unique renditions by Sister Rosetta Tharpe and the Staples Singers.

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Paulo Medina’s painting Navecilla (Ship) was inspired by a letter St. Thérèse of Lisieux wrote to her older sister, Céline, on July 23, 1893, which references the narrative from next week’s Gospel lectionary reading and says in part,

Be assured, dear Céline, that even though your dinghy is far asea, it is perhaps already very close to your harbor. The wind of suffering that is propelling it is a wind of love, and that wind is faster than lightning. [translated by Victoria Hebert and Denis Sabourin]

Read the full letter, in an alternate translation from the French by John Clarke, at the Archives du Carmel de Lisieux.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Proper 7, cycle B, click here.

Advent art slideshow and devotional

Advent is just around the corner, commencing Sunday, November 27. To support Christians in their seasonal journey toward Christmas, I’ve developed two companion resources: a slideshow of art images for congregational use, and a devotional booklet for individuals or small groups that offers written reflections on these images.

The structural backbone is a liturgical text written by Jonathan Evens, which has as its refrain the plea “Come, Lord Jesus, come.” It looks forward to Christ’s second advent but also, necessarily, back to his first, in all its various aspects. Along with themes of peace, love, and sacrifice, you are invited to consider

  • what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son;
  • the poverty Jesus shared with children around the world;
  • culturally specific bodies of Christ, like a dancing body and a yogic body;
  • how we are called to bear God into the world today;
  • and more.

Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.

My vision is for the two-minute slideshow to be shown in church on the first day of Advent during the main service. Two minutes is not nearly enough time to take in twenty-four images, so the slideshow is really just an invitation to deeper, one-on-one engagement with the images throughout the week, and that’s where the booklet comes in—as an aid to contemplation. To reinforce the practice and to make it more communal, pastors might consider drawing one image per week into his or her sermon, or discussion could be built into the Sunday school hour. There are twenty-eight days in Advent this year but only twenty-three reflections, so I’ll leave it up to you how to parse them out.

A humongous thanks to the artists and institutions who have granted permission for use of their work. Copyright of the images is retained by them, except where “Public Domain” is indicated, and reproduction outside the context of this slideshow and booklet is prohibited without their express permission. You of course are encouraged to show the slides publicly, and to distribute the booklet, but you must not charge a fee.

I hope these images fill you with wonder and holy desire—to know Christ more and to live into the kingdom he inaugurated two thousand-plus years ago from a Bethlehem manger.

Download the slideshow as a PowerPoint file.

Download the devotional booklet as a PDF. (Note: This version is slightly edited from the original.)

Want to have the booklet print and bound? Use this print-ready version. (I recommend a coil bind with a clear plastic front cover and a vinyl back cover. This will run you about $20 each at most commercial print centers, or less for larger quantities. Be sure to print double-sided, head-to-head.)

I realize that Sara Star’s The Crowning might be too graphic for some churches. Although I personally am compelled by it and obviously endorse it through its inclusion (what better complement to the line “Coming down the birth canal”?), I offer the following as alternative image suggestions for those who might want to substitute it with something more abstract or sanitized: Through the Needle’s Eye by Grace Carol Bomer; the Dieu parmi nous (God Among Us) panel from La Nativité du Seigneur (The Nativity of the Lord) by Sophie Hacker; Motherhood by Matthew Gill; or Nativity by Paula Rego. Please note that I have NOT received copyright clearance for any of these alternates, which means that if you were to use one, you would be responsible for securing the proper permission.

If you have any questions about how to use these resources, or if you’d like to share any feedback with me—either on how the images or format were received in your congregation, or suggestions for future improvement—feel free to contact me at victoria.emily.jones@gmail.com, or use the comment field below. This is really my first attempt to bring the principles of this blog out into the local church, so I’m eager to see what kind of fruit it bears.