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Giuseppe Penone at Versailles

This summer the Château de Versailles hosts Giuseppe Penone for a major exhibition of contemporary art. While some pieces are installed within the palace, the majority of works are outside with a select few specially presented in the French formal gardens designed in the 18th century by André Le Notre, which celebrate their 400th anniversary this year.

MutualArt

Jun 19, 2013

Giuseppe Penone at Versailles

Giuseppe Penone

This summer the Château de Versailles hosts Giuseppe Penone for a major exhibition of contemporary art.  While some pieces are installed within the palace, the majority of works are outside with a select few specially presented in the French formal gardens designed in the 18th century by André Le Notre, which celebrate their 400th anniversary this year. Brilliantly sited, the rigorous formality of the impeccably manicured gardens contrast against Penone’s large-scale sculptures of trees, the grandeur of which exalts both the artist’s hand and nature’s uncultivated beauty. 

A leading figure of the Arte Povera movement – literally translated as “poor art,” a term coined by Germano Celant for a group of Italian artists inspired by the politics of 1960s who in response to the increasing commercialization of culture often used simple, everyday materials in their work – Penone joins an international roster of art superstars to have shown at Versailles, including Jeff Koons, Takashi Murakami, Bernar Venet and Joana Vasconcelos.  The exhibition, which opened on June 11th and runs through October 30th, is curated by Alfred Pacquement, director of The Centre Pompidou in Paris. 

   Giuseppe Penone        Giuseppe Penone
    Albero folgorato, Thunderstruck Tree, 2012.                    In bilico, In the balance, 2012. Bronze, 
    Bronze, gold, 1000x200x200.                                          river stone, 1000x500x200.
   Giuseppe Penone        Giuseppe Penone
    Elevazione, Elevation, 2011.                                           Le fogile delle radici, The leaves of Roots, 2011.  
    Bronze, trees, 1000x600x600                                           Bronze, water, vegetation, soil. 944x260x300    
                                    
Since the beginning of his career, Penone has made working with trees a central part of his practice.  Through subtle interventions the artist isolates this familiar object that we take for granted and transforms it just enough to both retain its organic origins and display something that has been recognizably altered by man.  All recently completed works, some of the sculptures on view were created specifically for Versailles.  The central work Tra Scorza e Scorza (Between Bark and Bark) from 2008 is made of two bronze casts of tree bark that came from a monumental Lebanon cedar that was damaged by a 1999 storm at Versailles, which now surrounds a much smaller oak tree. Penone reinvented the space of its growth and implied the reliving of time through memory.   
                                         
Giuseppe Penone
Penone’s ability to come up with new ways of viewing and experiencing the outdoors and transforming his sculptures into essential forms, creates a magical dialogue between viewer and nature.  Interested in sensory perception, especially touch and sight, many of his works from the 1970s involve impressions of his skin or images of eyes. It was early in his career that he became interested in the relationship between the corporeal and the environment, using his body as his principal subject. His well-known piece, Rovesciare i propri occhi (To reverse one’s eyes), from 1970 depicts the artist wearing mirrored contact lenses he had custom made, rendering himself blind and offering the viewer his sight instead. The eyes cease being “windows into the soul” and instead become screens of what exists beyond.Tra Scorza e Scorza, 2003. Bronze, ash tree, 950x430x280
 
Through the inventiveness of his practice and the profound and lasting impact of the works themselves, Penone is renowned as one of the most important artists of his generation. He gives his viewers the opportunity to appreciate nature through his art. When he carves out the inside of a tree, he reveals its past and the slowness of growth in the natural world as if asking his viewers to take a moment and think about the concept of time in a much deeper and broader sense than that encountered in our daily life, creating a dialogue with the elements of nature through his poetic and innovative sculpting. 
Giuseppe Penone
Both up through August 11th, you can also catch Penone in two concurrent museum shows in Europe.  Whitechapel Gallery in London is presenting The Bloomberg Commission: Spazio di Luce (Space of Light), and Kunstmuseum Winterthur in Switzerland has mounted a broad eponymously titled survey show with sculpture, works on paper and installation pieces going back to the 1960s.
 
Giuseppe Penone. Rovesciare i propri occhi (Reverse your
eyes). 1970. Action by the artist, reflecting contact lenses
Photo: Claudio Basso © Archive Penone

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