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    Laura Camelione
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    868 views19 pages

    Stripsody PDF

    Uploaded by

    Laura Camelione

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 19
    STRIPSODY wii Cc. F. PETERS CORPORATION NEW YORK LONDON FRANKFURT. CATHY BERBERIAN props who mast provide al te son effects with his voce The tee {ines represent the diferent pitch levee: lw, medium and high, ‘The lines enclosed by bars ar to be performed as “scenes” in contrast, tothe bascmnaterlal which ira glosary of onomatopoeia use in eae sips. Whenever posible, gestures and body movements shold be simultane ‘ous withthe vocal gestures, On page 10 isa chil’ igure which represents silence in which the performer places her thumb i hee mouth and enps he athe hand to Fer eat Basially, the spacing of the “sound word” indicates the timing. In performance the entire work generally takes 6 minute, ‘This work was commissioned by Hans Otte on behalf of the Benen Radio for the Festival of Contemporary Music of May 1966 and was fist performed on that cceaion eTHr o> SR PSO EBC ty You StoPip XE nm & v Bw oF AUST VREE#} . = eg a tc Assure pf eo \ClAF Copa a YIEOX Meany ee ae ei iF sy Hm codhh ’ a wing * + Wey, lukely RN eety Ce 4 Gop i 4 mn Gdedar and thaw . matincally carly Maio ey you bike girbs axritth, Tabwrcatipy ewrthy hawt ? & (OOD GRIEF - BBW dene DoWe, | FIT ets 7 oe wi xg tSK Sh ten teehee ie fale te / She's got a lick-et to ride She's got eo BoUy tsk ZR o vt MosTLY ctouny TuewertuentOMO Va . ce aN a _ yl Ss “sa X oat Cry ¢ rat ‘98 a El 4 itsclt : & Folagil Ro _ = he ee aE petEEREn a ee Wy, | IT's ® Biro! we G aNilae sl

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