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Knoll Harry Bertoia Two-Tone Side Chair
Knoll is pleased to announce Bertoia Two-Tone, which expands the Bertoia Diamond Chair and Bertoia Side Chair’s available colors to include mix-and-match offerings for the basket and base. Based on the color-blocked configurations that were originally available when the Bertoia Collection launched in 1953, Bertoia Two-Tone allows customers to design their own color combinations from a selection of colors and finishes to create unique expressions of two of Bertoia's most iconic designs.
Harry Bertoia’s delicately industrial wire side chairs are among the most recognized achievements of mid-century modern design
MEASUREMENTS:
- Height: 73 cm / 28.75 inch
- Seat Height: 45 cm / 17.75 inch
- Width: 55.1 cm / 21.75 inch
- Depth: 50 cm / 19.75 inch
MATERIALS:
- Seat and base are constructed of welded steel rods
HELPFUL NOTES:
- Seat pad snaps onto the frame with domed snap buttons
- Not appropriate for outdoor use
- Basket and base are bolted together
- Two-Tone Chair is not suitable for outdoor use
- Plastic glides included on sled base to protect floors
- Knoll logo stamped into the back of the base
- GREENGUARD Indoor Air Quality Certified®
Harry Bertoia
Italy, 1915 - 1978
Harry Bertoia was born in Udine, Italy, in 1915. When he was fifteen he moved with his family to Canada and then on to Michigan. In 1939 he was awarded a scholarship to the Cranbrook Academy of Art in Michigan, which had been founded by Eliel Saarinen in 1932. He began to teach there, establishing a workshop for metalwork. At Cranbrook, Harry Bertoia met Charles Eames and in 1943 Bertoia went to California, where he worked briefly with Charles and Ray Eames for the Evans Product Company, designing furniture made of bent laminated wood.
In the 1940s Harry Bertoia concentrated entirely on furniture making and in 1950 he founded a business of his own in Bally, Pennsylvania. 1950 also was the beginning of Harry Bertoia’s collaboration with Florence and Hans Knoll, whose acquaintance he had also made at Cranbrook Academy. Harry Bertoia’s first chair design for Knoll, the Model 420 Diamond, 1950-1952, featuring molded mesh of chromium-plated steel wire, was an immediate best seller.
While he only designed one series of furniture, Bertoia continued to be involved in the Knoll story by providing sculptures and architectural installations for projects. He designed an altar for the MIT Chapel, designed by Eero Saarinen. Bertoia spent the next 25 years of his life experimenting with light, sound and volume through sculptures, paintings and architectural installations.
Today Knoll carries on Harry Bertoia’s legacy of innovation, inspiration, and beauty with the Bertoia collection, which has been in continuous production around the world since its introduction. In 2005 Knoll introduced the Asymmetric Lounge, a design from Bertoia’s initial experimentation that had never reached production.
Knoll has lived their guiding principle, "good design is good business," since 1938. Products are all created to inspire, fit, and last. The Bauhaus philosophy that furniture should complement, not compete with architecture, is central to Knoll’s design. Its extensive portfolio includes office work systems, residential mid-century modern classics, textiles, and accessories.
Designers like Harry Bertoia, Eero Saarinen, Warren Platner, Isamu Noguchi, and Florence Knoll contributed to Knoll’s iconic designs. Knoll invests in research and field studies and explores organizational behavior and technology to ensure quality excellence. As a leader in sustainability, Knoll’s practices reduce waste and conserve resources. Based in Pennsylvania, Knoll has a strong international presence, and 40 products are in the permanent collection of the Museum of Modern Art in New York.
Knoll products incur a 7.5% shipping charge at checkout, with a minimum of $85 and maximum of $500. This fee reflects White Glove Delivery for large items, which includes bringing the item to your room of choice, unpacking, removal of packaging, and assembly.
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