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Fernand cormon Stock Photos and Images
RMRY79J1–Self-Portrait, 1912. Fernand Cormon (French, 1845-1924). Graphite; sheet: 11.6 x 8 cm (4 9/16 x 3 1/8 in
RMEDPD9T–Fernand Cormon (aka Fernand-Anne Piestre, French, 1845 - 1924). Cité Lacustre, 1897. Collotype after a watercolor on wove paper
RMMMX79K–. English: Gallery Label: Toulouse-Lautrec probably painted this work while studying in the Parisian atelier of the popular painter Fernand Cormon. Among his fellow pupils were Émile Bernard and Vincent van Gogh. With its emphasis on careful study of the human anatomy and its use of a famous ancient sculpture as a model, Scythian Slave in the Uffizi Museum in Florence, The Marble Polisher is indicative of the academic training Cormon provided. But Toulouse-Lautrec also uses broken brushwork and colored shadows here-techniques derived from his Impressionist contemporaries. English: The Marble
RM2B9N05C–Human races, a sketch for the ceiling Museum of Natural History Fernand Cormon. Les races humaines, esquisse pour un plafond du Museum d'Histoire naturelle. Huile sur toile, 1897. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
RM2PB9KEA–VINCENT VAN GOGH by Toulouse-Lautrec portrait of Henri Vincent van Gogh Portrait of Vincent van Gogh (1887).Portrait of Vincent van Gogh is an 1887 chalk pastel on cardboard by Henri de Toulouse-Lautrec. Toulouse-Lautrec had encountered Vincent van Gogh, eleven years his senior, when they were both taking lessons at the open studio of Fernand Cormon in Paris France from 1886 to 1887
RM2GH93E5–Henri Toulouse-Lautrec, 1864 - 1901, French Post-Impressionist artist, at the Atelier Cormon where he studied under the owner, Fernand Cormon, 1845 - 1924. Cormon is seated at the easel. Lautrec is seated at the left foreground. Other students who studied under Cormon include Emile Bernard and Vincent van Gogh. After a work by an unidentified photographer.
RMMR3NX9–Cite Lacustre, 1897. By French artist and illustrator, Fernand Cormon (Fernand-Anne Piestre, 1845 - 1924). . Collotype after a watercolour on wove paper. Cite Lacustre was a Neolithic village in the Jura
RF2HTXA2N–Art inspired by Crouching Woman, n.d., Graphite and oil paint, Sheet: 12 3/8 x 19 5/8 in. (31.4 x 49.8cm), Drawings, Fernand Cormon (French, Paris 1854–1924 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXA36–Art inspired by Standing Man, 1897, Graphite over red and white oil paint, Sheet: 18 1/2 x 10 5/16 in. (47 x 26.2cm), Drawings, Fernand Cormon (French, Paris 1854–1924 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2CWBE5K–Market in Brest', 1899. Artist: Fernand Piet. Fernand Piet(1869-1942) was a pupil of Eugene Carriere , Fernand Cormon and Alfred Roll . He exhibited to the Independents and French Artists his paintings and his engravings of landscapes of Brittany and Holland.
RM2PJPFX8–Emile Loubet (1838-1929). President of the French Republic during the Third Republic. Portrait by Albert Lambert (1854-?), 1905, after a painting by Fernand Cormon (1845-1924) from the Musee Orsay, Paris. National Art Gallery. Sofia. Bulgaria.
RM2MY4W8R–The Battle of Salamis. Illustration of the battle between the Greeks states and the persians in 480 BC entitled The Vanquishers of Salamis by Fernand Cormon, 1889
RMKJ66H7–Fernand Cormon - Reception of the French Mayors at the Elysée palace, September 22, 1900. President Loubet 1900
RM2RH660P–Emile Loubet (1838-1929). President of the French Republic during the Third Republic. Portrait by Albert Lambert (1854-?), 1905, after a painting by Fernand Cormon (1845-1924) from the Musee Orsay, Paris. National Art Gallery. Sofia, Bulgaria.
RMKC9PM7–Standing Man, 1897, Graphite over red and white oil paint, Sheet: 18 1/2 x 10 5/16 in. (47 x 26.2cm), Drawings, Fernand Cormon
RMKC9PM6–Crouching Woman, n.d., Graphite and oil paint, Sheet: 12 3/8 x 19 5/8 in. (31.4 x 49.8cm), Drawings, Fernand Cormon (French
RM2B0M85X–Gebbie & Husson Company, Ltd., London, The Vanquishers of Salamis, Gebbie & Husson Company, Ltd., London, After Fernand Cormon (French, Paris 1854–1924 Paris), 1889, Etching with mezzotint, Plate: 9 13/16 × 14 1/16 in. (25 × 35.7 cm), Sheet: 11 11/16 × 16 15/16 in. (29.7 × 43.1 cm), Prints
RMRY80D4–L'Estampe Moderne: Cité Lacustre: Cité Lacustre, 1897. Fernand Cormon (French, 1845-1924), Imprimerie Champenois. Color lithograph with roulette from bound volume containing 50 lithographs, each with a tissue paper guard; sheet: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); image: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); secondary support: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in
RM2GGNDW8–Portrait of Pierre Carrière-Belleuse (1851-1933). Museum: Petit Palais, Musée des Beaux-Arts de la Ville de Paris. Author: FERNAND CORMON.
RM2B9NJ2P–Etude Fernand Cormon (1845-1924). Etude. Crayon graphite sur papier. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
RF2HW50NB–Art inspired by Warrior with an Axe and Study of a Leg, 1897, Graphite, red and white oil paint, pen and brown ink, Sheet: 20 x 13 13/16 in. (50.8 x 35.1cm), Drawings, Fernand Cormon (French, Paris 1854–1924 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMWFP5PY–France, Paris, 10 Rue Constance, former workshop of Fernand Cormon that frequented Toulouse Lautrec
RMERHCMM–Nelly Cormon as the Fairy and Marcel Dessones as the Beast in Beauty and the Beast by Fernand Noziere. From Le Theatre, 1908.
RM2T8H1B7–November 1812 recto, Funeral of a chief in the Iron Age verso, Publisher, Kratké, Charles-Louis, Author of the model, Cormon, Fernand, Author of the model, After 1812, Print, Manuscripts, printed matter, binding, Graphic arts, Book illustration, Photomechanical process, Dimensions - Work: Height: 24 cm, Width: 32.1 cm
RM2H11HE4–Self-Portrait, 1912. Fernand Cormon (French, 1845-1924). Graphite; sheet: 11.6 x 8 cm (4 9/16 x 3 1/8 in.).
RM2WPD56A–Pictures of Fernand Cormon from the series 'History of humanity'. A project of illustrations for the article of Antoni Kamieński entitled 'From the Paris salons' in 'Tygodnik Ilustrowany', 1898, No. 31; Kamieński, Antoni (1860-1933); 1898 (1920-00-00-1939-00-00);
RMPAB0FC–Standing Man. Artist: Fernand Cormon (French, Paris 1854-1924 Paris). Dimensions: Sheet: 18 1/2 x 10 5/16 in. (47 x 26.2cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.
RFRAYJ02–Fernand Cormon (aka Fernand-Anne Piestre, French, 1845 - 1924). Cité Lacustre, 1897. Collotype after a watercolor on reimagined
RM2B9NJ24–Etude Fernand Cormon (1845-1924). Etude. Crayon graphite sur papier. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
RMWFP5R0–France, Paris, 10 Rue Constance, former workshop of Fernand Cormon that frequented Toulouse Lautrec
RF2HW8JXC–Art inspired by Albert (René) Grenier (1858–1925), 1887, Oil on wood, 13 3/8 x 10 in. (34 x 25.4 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), Grenier and Lautrec were fellow students in the Paris atelier of academic history painter Fernand, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMD009EX–Oberleutnant Max Immelmann - a portrait drawing by Oscar Graf, . Charcoal on paper. Expressive half-length portrait of the 'Eagle of Lille' in uniform with Pour le mérite around his neck and Iron Cross on his chest. Signed and dated 'O. Graf 6.3.16' on the right, the lower edge hand-signed by Immelmann 'Max Immelmann Leutnant', the reverse with a hand-written dedication in pencil reading 'Zur Erinnerung! M. Immelmann Leutnant.' The frame of later date, mounted and under glass. 61 x 50 cm. Professor Oskar Graf (1873 - 1957) member of the Secession in 1896, studi,
RM2WPF6G6–Pictures of Fernand Cormon from the series 'History of humanity'. A project of illustrations for the article of Antoni Kamieński entitled 'From the Paris salons' in 'Tygodnik Ilustrowany', 1898, No. 31; Kamieński, Antoni (1860-1933), Cormone, Fernand (1845-1924); 1898 (1920-00-00-1939-00-00);
RM2H0YH86–L'Estampe Moderne: Cité Lacustre: Cité Lacustre, 1897. Fernand Cormon (French, 1845-1924). Color lithograph; sheet: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); image: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.); secondary support: 40.1 x 30.4 cm (15 13/16 x 11 15/16 in.).
RMPANGRJ–Crouching Woman. Artist: Fernand Cormon (French, Paris 1854-1924 Paris). Dimensions: Sheet: 12 3/8 x 19 5/8 in. (31.4 x 49.8cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHAXW5–Albert (René) Grenier (1858–1925) 1887 Henri de Toulouse-Lautrec French Grenier and Lautrec were fellow students in the Paris atelier of academic history painter Fernand Cormon during the 1880s and became fast friends: Lautrec even lived briefly with Grenier and his mistress, Lili, an actress and model, and made several portrayals of the couple. An inscription on the verso of this portrait indicates that it was painted in Lautrec’s Montmartre studio in the rue Caulaincourt in 1887. He employed thin, watercolor-like washes of pigment, laid over a fine pencil underdrawing, to produce a sensitive
RM2B9NJ2W–Etude Fernand Cormon (1845-1924). Etude. Crayon graphite sur papier. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
RME8F9CG–Paul Déroulède (1846-1914) Making a Speech at Bougival, January 1913. Artist: Cormon, Fernand (1845-1924)
RMWFP5PP–France, Paris, 10 Rue Constance, former workshop of Fernand Cormon that frequented Toulouse Lautrec
RM2WJXPR9–Fernand-Anne Cormon dit Piestre (1854-1924). Sketch for the museum's paleontology amphitheater: 'bronze and iron'. 1897. Museum of Fine Arts of the City of Paris, Petit Palais. 78705-1 Allegorie, amphitheater of paleontology, academic art, firefighter, bronze, drawing, iron, sketch, woman, iron, furnace, man, man, iIieme III III 3rd 3rd 3rd republic, industry, their musee, academic painting, work, Women's work, Pour, 19th 19th 19th 19th 19th 19th century, Couple, Museum
RMPA93YT–Warrior with an Axe and Study of a Leg. Artist: Fernand Cormon (French, Paris 1854-1924 Paris). Dimensions: Sheet: 20 x 13 13/16 in. (50.8 x 35.1cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for Fernand cormon Stock Photos and Images (284)
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