Analysis of the evolution of musical forms . XI. f^r^-f-^^ ^-^ P m^ m^ =p=r=^ gg ^ =g-:rr-=-Tg^ tst --t—ll^ ^^^^^ m. J f-^ gE=^g=r L=r.iL zc=rEEai 6*. gi^g^^^^3=^gif-T^Tfai Here ends The Prelude to the Salt, which used to be performed before theknights of King Arthur, when the Salter was placed upon the board. GLOSSARY OF TECHNICAL TERMSUSED IN THIS WORK This mark (*) indicates jicw or partially ?iew terms,or the new use of a term. Absolute Pitch . . Actual pitch according to a given number of vibrations. Accent Stress. Accidental The written inflection of a note by semitone. Alto The upper mi

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Analysis of the evolution of musical forms . XI. f^r^-f-^^ ^-^ P m^ m^ =p=r=^ gg ^ =g-:rr-=-Tg^ tst --t—ll^ ^^^^^ m. J f-^ gE=^g=r_L=r.iL_zc=rEEai 6*. gi^g^^^^3=^gif-T^Tfai Here ends The Prelude to the Salt, which used to be performed before theknights of King Arthur, when the Salter was placed upon the board. GLOSSARY OF TECHNICAL TERMSUSED IN THIS WORK This mark (*) indicates jicw or partially ?iew terms, or the new use of a term. Absolute Pitch . . Actual pitch according to a given number of vibrations. Accent Stress. Accidental The written inflection of a note by semitone. Alto The upper middle part. Atonic Composed of tones other than those of the tonic triad.Augmejited .... One semitone longer than major or perfect.Aug7nented Triad . The triad composed of two major thirds, covering an augmented fifth. Bar The space between two principal accents. *Bar-Jigiirc A time-figure that relates to the bar-standard. Bar-line The vertical line dividing one bar from the next. Bass The lowest part. Beat or Tiine-beat . A recurring point marking equal divisions of duration, *Beat-Jigtire A time-figure confined to division of one beat. C